Eero Saarinen 1957 Miller House
Alistair McLean
Category: Heritage

Alistair: Posted on Friday, 21 October 2011 10:59 AM


For many people, including myself the name of Eero Saarinen, will always be associated with his timeless classic the “Tulip Chair” (see above). However, at the same time that this Finnish American architect was working on the Tulip Chair he was also working on the Miller House. Thanks to our friends at Arch Daily, and the Indianapolis Museum of Art I have reproduced these photos as I believe that this is a wonderful example of a money-is-no-object mid-century modern home.  What is really great about these photos is the manicured garden is matured, and I love the colourful (and comfortable) interior, which is in stark contrast to many contemporary interiors seen in today’s popular press.


“Completed in 1957 for industrialist and philanthropist J. Irwin Miller and his family in Columbus, Indiana, the Miller House and Garden embodies midcentury Modernism in it’s fullest. Architect Eero Saarinen‘s steel and glass composition has held together very well, proving the quality and use of materials to be worthy of time.


Not the first building designed for these clients by Saarinen, the initial intention of Miller and his wife was to create a year-round dwelling that could be used to entertain business guests from around the world, also doubling as a good environment to raise their children.  As head of Cummins Engine, was to create civic and institutional buildings in their town located 45 miles from Indianapolis, hoping to transform and reinvent into a hub of inventive design. Eero Saarinen worked with interior designer Alexander Girard and landscaper Daniel Kiley to best fulfill the ideas he had in mind for the house and garden.


An architectural tradition developed by Ludwig Mies van der Rohe, this house encompasses some of the most fundamental aspects of the international Modernist aesthetic, including an open and flowing layout, flat roof and vast stone and glass walls.


Saarinen also included ideas of the main walls of public areas extending from floor to ceiling and cut out of marble several inches thick. The exposed edges eliminate a sense of separation between interior and nature through use of huge panes of glass.


It is located on a thirteen-acre rectangular site that stretches between a busy street and river. The plan acts as an organized rectangle divided into nine sections, the corners house the master bedroom suite, children’s area, kitchen/laundry, and a zone encompassing the guest room, servant’s quarters and a carport.



The children’s rooms were designed with knowledge of standard children’s rooms in Finland, where the private bedroom of each child was made small and functional and attached to a common playroom that tended to encourage social interaction.


Totaling around 6,800 square-feet, the one-story house comprised of glass and gray-blue-slate panels is supported by steel cruciform columns and illuminated by a grid of skylights. The interior designing of Alexander Girard creates an intimate and colorful experience, particularly in the living room’s conversation pit.


The dining area’s sculptural white pedestal chairs become the center of focus while passing through or stopping to eat and enjoy the company.



Landscaping by Kiley is admired for its large geometric gardens and alley of honey locust trees, which run alone the west side of the house. In 2000, the property underwent a $2 million dollar restoration and the National Historic Landmark was reopened to the public. The Irwin-Sweeney-Miller Foundation and the Miller family have donated around $5 million, and the Indianapolis Museum of Art is continuing to raise more funds.”

For original posting go to:

For more information on this house, which “Travel + Leisure” describe as “America’s Most Significant Modernist House”, then go to: